Estimating auditory filter bandwidth using distortion product otoacoustic emissions
Keywords:
distortion product otoacoustic emissions, auditory filters, equivalent rectangular bandwidth, notched-noise thresholdsAbstract
The basic frequency selectivity in the listener’s hearing is often characterized by auditory filters. These filters are determined through listening tests, which estimate the masking threshold as a function of frequency of the tone and the bandwidth of the masking sound. The auditory filters have been shown to be wider for listeners with sensorineural impairment. In a recent study (Christensen et al., 2017) it was demonstrated on group basis that the distortion product stimulus ratio that provided the strongest 2 f1− f2 component at low frequencies had a strong correlation to the theoretical relation between frequency and auditory filter bandwidth, described by the equivalent rectangular bandwidth (ERB, Glasberg and Moore, 1990). The purpose of the present study is to test whether a similar correlation exists on an individual basis at normal audiometric frequencies. The optimal 2 f1 − f2 DPOAE ratio is determined for stimulus ratios between 1.1 and 1.6, at fixed primary levels (L1/L2 = 65/45 dB SPL). The auditory filters are determined using notched-noise method in a two alternative forced choice experiment with noise levels at 40 dB SPL/Hz. Optimal ratios and auditory filters are determined at 1, 2, and 4 kHz for 10 young normal-hearing subjects.
References
Bowman, D.M., Eggermont, J.J., Brown, D.K., and Kimberley, B.P. (1998). “Estimating cochlear filter response properties from distortion product otoacoustic emission (DPOAE) phase delay measurements in normal hearing human adults,” Hear. Res., 119,14-26. doi: 10.1016/S0378-5955(98)00041-0
Christensen, A.T., Ordo˜nez, R., and Hammershøi, D. (2015). “Stimulus ratio dependence of low-frequency distortion-product otoacoustic emissions in humans,” J. Acoust. Soc. Am., 137(2), 679-689. doi: 10.1121/1.4906157
Christensen, A.T., Ordo˜nez, R., and Hammershøi, D. (2017). “Distortion-product otoacoustic emission measured below 300 Hz in normal-hearing human subjects,” J. Assoc. Res. Otolaryngol., 18, 197-208. doi: 10.1007/s10162-016-0600-x
Glasberg, B.R., and Moore, B.C. (1990). “Derivation of auditory filter shapes from notched-noise data,” Hear. Res., 47, 103-138. doi: 10.1016/0378-5955(90)90170-T
Gruhlke, A., Birkholz, C., Neely, S.T., Kopun, J., Tan, H., Jesteadt, W., Schimd, K., and Gorga, M.P. (2012). “Distortion-product otoacoustic emission supressiontuning curves in hearing-impaired humans,” J. Acoust. Soc. Am., 135, 3292-3304. doi: 10.1121/1.4754525
Kemp, D.T. (1978). “Stimulated acoustic emissions from within the human auditory system,” J. Acoust. Soc. Am., 64, 1386-1391. doi: 10.1121/1.382104
Levitt, H. (1971). “Transformed up-down methods in psychoacoustics,” J. Acoust. Soc. Am., 49, 467-477. doi: 10.1121/1.1912375
Moore, B.C.J. (2012). An Introduction to the Psychology of Hearing (6th Ed.), Emeral Group Publishing Limited, Bingley, UK, ISBN: 978-1-78052-028-4.
Patterson, R.D. (1976). “Auditory filter shapes derived with noise stimuli,” J. Acoust. Soc. Am., 59, 640-654. doi: 10.1121/1.380914
Reuter, K., and Hammershøi, D. (2006). “Distortion product otoacoustic emission fine structure analysis of 50 normal-hearing humans,” J. Acoust. Soc. Am., 120, 270-279. doi: 10.1121/1.2205130
Additional Files
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright* and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
*From the 2017 issue onward. The Danavox Jubilee Foundation owns the copyright of all articles published in the 1969-2015 issues. However, authors are still allowed to share the work with an acknowledgement of the work's authorship and initial publication in this journal.