Verbal attribute magnitude estimates of pulse trains across electrode places and stimulation rates in cochlear implant listeners
For cochlear implant users, temporal and place cue are assumed to vary along two orthogonal perceptual dimensions linked to pitch height and timbre. Here, the effect of electrode place, pulse rate, and amplitude modulation frequency on those perceptual dimensions was investigated. Combinations of different electrode places with differing pulse rates or modulation frequencies were presented to the participants while they were asked to rate pitch height and sound quality using multiple verbal attributes. The results indicate that temporal and place cues induce two perceptual dimensions that can be both linked to pitch and timbre.
Kong, Y.Y., Deeks, J.M., Axon, P.R., and Carlyon, R.P. (2009). “Limits of temporal pitch in cochlear implants,” J. Acoust. Soc. Am., 125, 1649-1657. doi: 10.1121/1.3068457
Landsberger, D.M., Vermeire, K., Claes, A., et al. (2016). “Qualities of single electrode stimulation as a function of rate and place of stimulation with a cochlear implant,” Ear Hearing, 37, 149-159. doi: 10.1097/AUD.0000000000000250
Macherey, O., Deeks, J.M., and Carlyon, R.P. (2011). “Extending the limits of place and temporal pitch perception in cochlear implant users,” J. Assoc. Res. Otolaryngol., 12, 233-251. doi: 10.1007/s10162-010-0248-x
McDermott, H.J., and McKay, C.M. (1997). “Musical pitch perception with electrical stimulation of the cochlea,” J. Acoust. Soc. Am., 101, 1622-1631. doi: 10.1121/1.418177
McDermott, H.J. (2004). “Music perception with cochlear implants: A review,” Trends Amplif., 8, 49-82. doi: 10.1177/108471380400800203
McKay, C.M. and Carlyon, R.P. (1999). “Dual temporal pitch percepts from acoustic and electric amplitude-modulated pulse trains,” J. Acoust. Soc. Am., 107, 347-357. doi: 10.1121/1.424553
McKay, C.M., McDermott, H.J., and Carlyon, R.P. (2000). “Place and temporal cues in pitch perception: Are they truly independent?,” Acoust. Res. Lett. Onl., 1, 25-30. doi: 10.1121/1.1318742
Oxenham, A.J., Bernstein, J.G.W., and Penagos, H. (2004). “Correct tonotopic representation is necessary for complex pitch perception,” Proc. Natl. Acad. Sci. USA, 101, 1421-1425. doi: 10.1073/pnas.0306958101
Oxenham, A.J. (2008). “Pitch perception and auditory stream segregation: Implications for hearing loss and cochlear implants,” Ann. Trends Amplif., 12, 316-331. doi: 10.1177/1084713808325881
Pedersen, T.H. (2008). “The Semantic Space of Sounds – Lexicon of Sound- Describing Words,” DELTA Technical note.
Shannon, R.V. (1983). “Multichannel electrical stimulation of the auditory nerve in man. I. Basic psychophysics,” Hear. Res., 11, 157-189. doi: 10.1016/0378-5955(83)90077-1
Stahl, P., Macherey, O., Meunier, S, et al. (2016). “Rate discrimination at low pulse rates in normal-hearing and cochlear implant listeners: Influence of intracochlear stimulation site,” J. Acoust. Soc. Am., 139, 1578-1591. doi: 10.1121/1.4944564
Tong, Y.C., Blamey, P.J., and Dowell, R.C. (1983). “Psychophysical studies evaluating the feasibility of a speech processing strategy for a multiple-channel cochlear implant,” J. Acoust. Soc. Am., 74, 73-80. doi: 10.1121/1.389620
Zeng, F.G. (2002). “Temporal pitch in electric hearing,” Hear. Res., 174, 101-106. doi: 10.1016/S0378-5955(02)00644-5
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright* and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
*From the 2017 issue onward. The Danavox Jubilee Foundation owns the copyright of all articles published in the 1969-2015 issues. However, authors are still allowed to share the work with an acknowledgement of the work's authorship and initial publication in this journal.